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Second Light Network Enfield Poets Shortlands Poetry Circle

poetry pRO     The White Boat
Eng/Rom, Katherine Gallagher

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ppf SHOP ONLINE      MEMBERS’ COMPS & CALLS May27: Frogmore
 
MEMBERS’ EVENTS/VENUES Oct: Shortlands Poetry Circle 27th (live), 19th (online); North West Kent Stanza, 21st
 
see/hear: listen to Dinah Livingstone reading her poem The Old Campaigner

donations will be very gratefully received.

latest on site:
   Julia Deakin
   Joseph Long
   Peter Ualrig
       Kennedy
   Judith Wozniak

latest new pages:
   Carol DeVaughn (biog)
   Marina Sánchez (biog)
   Margaret Wilmot
   Barbara Hickson

COMPS & CALLS:
May27: Frogmore

latest comp results:
   Frogmore 2026

selection of books:
   ppf shop online

previous projects:
   Poem Cards
   Blyth Valley Radio
   poetry tREnD

featured poet – Ruth O’Callaghan


Ruth O’Callaghan

 

Perspective

It is February. From the tracks beyond the cemetery
the last train defies the dark, defies the dark
 
beyond the cemetery. It is February. Onto the tracks
a body may fall, fall from the bridge
 
the bridge that springs over the tracks, the tracks
on which a body may span, horizontal
 
east to west or west to east, never north to south
south to north. Horizontal.
 
Too late, too late to grind the brakes, the brakes
too late if a body breaks on the tracks.
 
The woman at the window sees the man on the bridge
to the man on the bridge the woman at the window cries Wait.
 
Spanning the tracks that the driver can see
but not a body spanning the tracks
 
there is no body spanning the tracks as he moves on,
moves on defying the dark
 
beyond the cemetery. It is February. The rails are sharp
the night is clear, he is on time.
 
The driver’s on time. All is ordered in this dark. He’s taken advice.
He can implement procedures. Procedures.
 
Vera climbs the stairs of the bridge, sees the man on the bridge
hears the cry of the woman at the window but not the word. She is alone.
 
He cuts a swathe towards the tunnel. He is on time
he is a man who defies the dark
 
he is a man moving on, moving on through the night
the night is ordered, he is ordered
 
the driver’s on time. He’s taken advice. He keeps his hand
he stays his hand, he can implement…
 
The boy sleeping under the bridge hears slippers shuffling the bridge
hears a woman’s cry. He doesn’t move. It could be a ploy.
 
Procedures. He knows procedures. He knows this track.
He knows the exact, the exact point
 
to release, to release pressure. The driver’s taken advice.
The air is clear. The rails are sharp. He is a man defying the dark.
 
The man on the bridge hears the train on the track, hears a voice calling, footsteps
dragging. He turns. She is cardigan-ed not white-coated. Disguised.
 
It is February. The air is clear. They are beyond the cemetery.
Beyond fear. The fear on the face of the man in the train of the man in the air.
 

Ruth O’Callaghan

in collection An Unfinished Sufficiency, 2015, Shoestring Press,
ISBN 978-1-9106690-4-4