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Agnus               Ghosting

         Pansy Neilson's Magnificent           Renovations

 

Agnus

   

Lamb, I have seen you from trains.

I have seen you as I walked through fields.

You looked back at me, raised

your left hoof towards me in a delicate way.

Lamb, I have found your winter curls

by the roadside, on thorns and on barbed wire.

 

Lamb, who exalts what the world gets wrong

its failings, its struggles, honourable lamb

feel for us.

 

Lamb, all winter I wear black to absorb the sun.

Red is not as good at this. It is only for inside.

Lamb, my mother had a dream.

The whole family lived separately in sheds

in the back yard. It was dark and cold.

When we went to find each other, we weren’t there.

 

Lamb, who exalts what the world gets wrong

heals wounds, smooths troubles, loving lamb

feel for us.

 

Lamb, these derelict testaments are stained.

They’re cased in walls of clay. We cannot reach them.

We are damp and raucous, our marsh overgrown.

The trees under our pavements are dead. The stairs,

by which you left to sail up river, lead nowhere.

Lamb, why do we fear ourselves?

 

Lamb, who exalts what the world gets wrong

crowns hags, creates doubt, fragrant lamb

give us peace.

 

Anna Robinson

previously published in Brittle Star

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Ghosting

 

 

I wake where I was sleeping

in my room

but the walls are gone

and all I see are night shapes

twisting away from the bed.

They're brambles, I think,

yes, they are, and in full fruit

and now I can feel the night's a warm one

and now I can feel there is no breeze.

 

Trying to find my bearings

by the moon

and the brown-mirrored rear

of the department of health

always to its right

which has gone, like the fence

to the park, like the park and the flats

and now I can see the shapes of out-houses

and now I can see the moon on glass.

 

I get up and not finding

my slippers,

walk on through grass,

which in part is boggy

which is not such a bad thing

and as it's a full moon

I see the flowers, folded for sleep,

Viola tricolor, tickle me fancy,

heartsease, jump up and kiss me.

 

Anna Robinson

from  sequence "The Pansy Poems",

previously published in Reactions, 4, 2003

and in pamphlet collection Songs from the Flats, 2005,

Hearing Eye, ISBN 1-905082-01-0

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Pansy Neilson's Magnificent

 

 

This is not the leper house,

it's not here that lesions creep

through a bright red haze.

 

That's on the other side -

where they've put builders'-huts

over the football pitch.

 

What is this haze - smudging out

from the blotch to form a margin?

It's red as in heart not iron

 

or blood, a red too Victorian

to stand for this place,

too red for the likes of us.

 

Anna Robinson

from  sequence "The Pansy Poems",

previously published in Reactions, 4, 2003

and in pamphlet collection Songs from the Flats, 2005,

Hearing Eye, ISBN 1-905082-01-0

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Renovations

 

It’s foolish to think there’d be no conflict

the scaffold closes in on us, blocks

 

the light-stream and it doesn’t rain.

Our pansies are dead. They will not regenerate.

 

The cold new doors come: too fast, too heavy

and we’re stuck behind them, eye to little eye,

 

stomach driven, planning our resistance;

but the new windows will not break

 

and we’ve forgotten how to destroy steel.

The landladies talk of how nice it will be

 

how much we’ll like it when its done.

On Fridays we blow their dust off our tools

 

I rub my saw, my iron mallet,

my neighbour shines up his hammer.

 

The empty baskets and window boxes avoid

our eyes. Yes, we’re waiting, we are waiting.

 

Anna Robinson

in pamphlet collection Songs from the Flats, 2005,

Hearing Eye, ISBN 1-905082-01-0

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