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The Gardens of Ho Chi Minh City            yes many and beautiful things            Tenses

My Friend and My Invisible Husband

 

The Gardens of Ho Chi Minh City

 

Even on the other side there’s no break from the noise        

                 of this river, boats make their way to the Delta.

 

Women step from pavements, weave from one side

                of the road to another,

 

we watch motorcycles scorch hot tarmac, wait

                for a gap that never comes.

 

Men try to make a dong selling fake Levis to tourists.

                Days fold in on themselves, begin in the middle.

 

Lying in bed rehearsing our morning’s activities, order’s

                abandoned,

 

we try to remember what came first, the elephant

                tied to the post

 

or the rat gnawing the monkey’s tail?

                The water-hole’s dried and the greenest

 

of trees blurs grey with a hungry goat.   

                  In those botanical gardens colours

 

are displayed for their frankness.

                 And now back in England

 

the stars of your city increase in brightness,

                  the vision – Saigon river to sail down,

 

tapioca roots to taste again and this feeling

                that today started yesterday

 

and will end tomorrow.

 

 

Wendy French

in collection, surely you know this, 2009,

tall-lighthouse, ISBN 978-1-9045517-2-0

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yes many and beautiful things

             (fragment 24)

 

Is it because it never will be like this again –

Saigon’s river flowing at our feet,

 

two people waiting for the ferry

and snails stuffed with garlic, so huge, I could cry

 

at the opulence of days.  If your grandmother could see us

now, her grandson showing her daughter

 

the land where he lives.

It’s how the worm turns, she’d say.

 

We visit the war museum, photographs of the burnt,

the crying, the armless man selling iced water.

 

The sun relentless like the river’s current.

But now, six o’clock,

 

we drink cocktails. Young girls laugh,

sandals gleam and we step on to the boat

 

to cross the waters.

Yes, there are many more beautiful things

 

in this country that builds on rivers and land

but everywhere around the sun scores an emptiness.

 

 

Wendy French

in collection, surely you know this, 2009,

tall-lighthouse, ISBN 978-1-9045517-2-0

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Tenses

 sweetbitter   (fragment 130)

 

You ran, no run, I’m going to revert to the present tense

even though the running has ceased except in a kind

of slow motion through re-call. I visit you each day

 

in those dull grey track-suit trousers, white T-shirt

you’d always only wear as you hankered after purity

which you said could be found in fields, cow-dung,

 

the mole-hills that uproot your mother’s lawn.

You loved, sorry, love, dawn – the light through the stained

glass windows that catches the dream

 

before it escalates. Your favourite tree is

(I’m beginning to master these tenses)

the willow, because of the legend you claim,

 

and then there are the wild ducks you called your own, who

unlike us,  are not surprised at each morning,

not surprised at your absence

 

but who swim round the garden pond.

Call. Echo your words.

Bullshit. Life just has to be run. Move on.

 

 

Wendy French

in collection, surely you know this, 2009,

tall-lighthouse, ISBN 978-1-9045517-2-0

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My Friend and My Invisible Husband

 

He’s there, a shadow just inside the hallway. Caught by the light through the door frame. Transitory like reflections in the wind whenever you come round. Even when you’ve stayed all night you believe he’s not there. Two empty coffee cups on the kitchen table mean nothing when you come down for breakfast and the front door closes. All you see is me staring at our neighbour’s brick wall. You wonder how long this silent pathologist inhabited my imagination. How long can he remain? Last night at 3am you thought you heard footsteps prowling around, pacing the landing, by 4 all was quiet. No shoes or razors remaining.  On New Year’s Eve he gives me the last glass of champagne, leads me to bed. Turns out the light. Bolts the front door against strangers.

 

Wendy French

in collection, surely you know this, 2009,

tall-lighthouse, ISBN 978-1-9045517-2-0

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