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Camus and the Spiders               When I go

         Sam Pepys's Stone           Funeral

 

Camus and the Spiders

 

It’s their tenacity that draws me in—

all that nimble bloody-mindedness.

Four shell-backs at my window, a miniature

crocheting bee, the workers ambitious

as Daedalus, not a hint of arthritis

or trigger-finger as they cast their lines.

They have a plan and they stick

to it: dream homes, castles in Spain,

folies de grandeur to rival Ludwig’s.

No need for safety nets or crampons:

watch them hang by a thread, free-

fall in slow-motion through thin

air, straddling the void with a sequence

of rope-tricks that leave Tarzan standing.

 

How easy it looks, taking the world

on trust!   Trust them to shake a leg

at rose-bushes and tornadoes, to start

from scratch, again and again and again.

Hasn’t anyone told them that even

the most complicated embroideries

get lost in the post?   That the window-cleaners

will be calling tomorrow?   That tout

le malheur des hommes vient de l’espérance?

 

 

Siriol Troup

first prize, Pitshanger Poets Competition 2004,
first published in
Poetry Ealing 13
in collection
Drowning up the Blue End,
bluechrome, 2004, ISBN   1 904781 54 3

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When I go

 

I’d like an airport farewell:

a crowded concourse,

the clash and glide of trolleys

loaded with bags;

 

a lovers’ embrace

in a spin

through revolving doors,

nothing left but ellipsis.

 

So much heartbreak

in the tannoyed voices

rattling off departures

from the gates.

 

You could be kind, could send me off

with a burger and a fizzy drink,

sucky sweets for my ears,

a bouquet of magazines.

 

Let me check my heart in

before you wave

in case there’s a knife

I’ve forgotten to declare.

 

 

Siriol Troup

first published in pamphlet Moss,
Poetry Monthly 2002, ISBN 1 903031 38 9.
in collection
Drowning up the Blue End
bluechrome, 2004, ISBN 1 904781 54 3

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Sam Pepys's Stone

 

Bad blood between us: he blames me for his agony,

grows costive, rages and curses until his bladder

convulses above his pubic bones like the sun

 

swelling on the horizon.  When I squeeze down

the narrowness of his passages, he is mightily

inflamed by needle-cramps and his piss-water

 

flushes crimson.  He is so crazed with pain

that he would let his fundament be bled by thirsty

leeches or submit my crystals to the Doctor’s

 

knife.  God help him, he stays his stomach with butter

and radishes, anchovies, venison-pasty,

pickled oysters, lobsters and fresh peas, as if feasting

 

might reconcile us, or a pottle of Old Canary

wine.  I am his treasure, his hazelnutt, his white stone,

and yet he sees not how I mark him out from other

 

men.  I humour him because he is the ship I sail in,

tho’ these last weeks we wrestle so together

I cannot tell which one will have the victory.

 

                                    *

 

So I am cutt, and have been mercifully pulled to dry

land from the rough seas, a shipwrecked sailor

hoisted on the spar of a Chirurgion’s

 

probe.   No more flood-fed wallowing, no more

steering through rapids or floating like a dead man

on the drink.   I have found my place in history—

 

Sam Pepys’s stone, as big as a tennis-ball, a very

great stone.   He has bespoke a case to keep me in

for twenty-five shillings so that whenever

 

his friends are afflicted by the same condition

he may bring me to their beds.   My birth-day

in March he celebrates with a merry dinner

 

and much praising of the Lord.   I do not often

miss the whorls and spirals of my watery

home, the golden light, the unpredictable showers.

 

 

Siriol Troup

in collection Drowning up the Blue End,
bluechrome, 2004, ISBN   1 904781 54 3

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Funeral

 

She’s dressed for it, black

all over, enough sheer leg

to kick him down to hell and back.

 

The music’s turned down low, Springsteen

or Schubert—hard

to tell, with the champagne

 

flowing like Lethe.

An awkward silence, then someone

launches into a pithy

 

anecdote about his schooldays,

raises a laugh, dries up

between the canapés.

 

On the tip of her tongue the poem

she never wrote, in all those years

never enough time

 

to get it right.   A shame—

he would have liked the way

it ended, her lame

 

pairing of shitty

with eternity.

 

 

Siriol Troup

first published in the new writer , July/August 2003
in collection
Drowning up the Blue End,
bluechrome, 2004, ISBN 1 904781 54 3

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