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(previously writing as Moira Clark)                                                                    

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Sharing a Bed with Eight Other Men  

 

1976                              Insider                               6 Torgovaya, Odessa

 

 

 

Sharing a Bed with Eight Other Men
         
for Steve Moody

 

Alpine Hut Dix.

 

You’ve crossed the Pas de Chèvres, though

it’s doubtful any goat is accomplished enough

to descend the forty feet of steel steps to the glacier.

At least three days without washing

and only Swiss-bitter, herbal tea to drink

yet you snuggle down deep under the communal duvet,

try to keep your breath from freezing nasal hair to cotton.

Nine men. Nine pairs of armpits and all those crotches

with the risk of something which might creep out.

Unseen, by the sun’s impartial eye, dreams shift,

stretch beyond the silhouetted Matterhorn

crouching like a secret under a gentian sky.

A tenth man is there; is forever there.

You can hear his dreamings if you open your mind,

sense his breath crystallise to indoor snowflakes,

taste the bile which rose in his throat that very last time

and if you roll over in sleep, you may find yourself face to face

with a blur of features you don’t recognise;

it is then you know that you’ve climbed higher

than the nimble, sure-foot chamois,

much, much higher than you ever thought feasible.

 

Moira Merryweather

first published in Watermark, Middlesex University Press, 2004

also published in The Interpreter's House, Issue 31, 2006

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1976

 

I can’t slake the Severn’s thirst

with bore-hole or Welsh water,

no more than I can stop

the tidal waves of bathers

who, needing to cool-off, strip, leap

like stampeding wildebeest

into fluid oozing with effluent

and never a word from you in Kurdistan.

 

If you drink from a spring

shaded by a fig tree  

you would feel younger, more loving…

but while shapes of buildings

from Shrewsbury to Gloucester

mirage in and out of sight

I don’t know if you are alive to care;

there’s still no word from you in Kurdistan.

 

When spirochaete death

is reported, Britons are warned

not to swim in rivers, streams,

the Malverns spark, flicker, burn

and every cricket pitch turns to brown.

My hair reverts to blond again,

skin colours up like ripe dates

but nights are filled with sweat-terrors

 

hearing of bullets ricocheting

into mosque, shop, child, traveller

and the reservoirs writhe

with gasping fish

and petri-dishes colonise

with rising numbers

of pathogens in the River Severn

all the way from Craig Goch to Chepstow

while your face fades, your voice is silent in Arbil.

 

 

 

The lines quoted are by Gene Burns, ‘The Stuff of Myths’, The Atlantic 1999

 

Moira Merryweather

first published in South 34, 2006

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Insider

 

This morning my window is a mouth;

licking cinnamon from the sun

chewing on the speech of leaves.

 

If I allow, it will swallow early birdsong

drink the nectar from every flower;

lavender, rosemary, honeysuckle, rose

 

and as the day passes it will fill my room

with all the nutrients I need to breathe

new life into the spaces between pulses.

 

When fireflies inscribe the dark with

their indecipherable codes

my window will blow kisses to the moon.

 

Moira Merryweather

first published in Poetry Nottingham, 59/4, 2006

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6 Torgovaya, Odessa
          for Val Bridge

 

Someone else’s heart beats

slow in the dark

where I know hers did.

 

There’s no chair or cushion

holding her warmth, no smudge

of a fingerprint.

 

Dreams and sighs in the night

belong to different lives,

separated

 

by genes which don’t have

anything in common with

my mother, me.

 

Where my Babouschka

sang love songs, lullabies

with a tongue easy with language

 

not her native own,

there is music I won’t hear

from voices I will never know.

 

Other children. Other kinds of legacies.

 

But somewhere in the house

that was her home,

somewhere in the dark

 

there are sloughed fragments

of my mother, my mother’s mother

and one auburn hair, perhaps,

 

caught between the then and now

curling up to reach

out for familiar heartbeats,

 

the cry of a child in the night.

 

 

Moira Merryweather

first published in South 33, 2006

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