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Goldilocks               Skin

         At Athens Airport           Light Harvest

 

Goldilocks

 

After that startled awakening and chase through the woods

bears lumbered almost nightly

into her dreams

 

but by the time she married, she couldn’t remember

why even the smell of porridge

could scald her tongue.

 

She has a baby now, and her broken sleep is invaded

by bears again – their coarse dark fur

smelling of resin and fungus.

 

Sometimes she wakes with honey in her throat

hands as cumbersome as boxing gloves

flat white nails thickened to ebony.

 

When she slides from the bed

it seems natural as breathing

to pad across the carpet on all fours.

 

Grey light seeps through loosely woven

nursery rhymes.   She unravels undertones of

talcum powder, sweat-damp hair

 

and hints of her own milk on sleeping breath.

Her baby.   Is he hers?   He seems so

separate

 

folded in on his unblemished self

as though he’s tumbled through a crack in time

and she can’t touch him.

 

 

Christine Coleman

first published in Mslexia, Oct/Dec 2002
in pamphlet
Single Travellers ,  Flarestack, 2004
ISBN
1900397706
in anthology
Four Caves of the Heart,
Second Light Publications, ISBN 095469340X

 

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Skin

 

A scrawny boiling fowl from Heathfield Market

fly-spotted watercolours of Italian lakes, bone china cups with

faded roses you can see your fingers through—

I help unload my mother’s car.

 

She still has her stall in the antiques centre, open again

after last October’s flood.   A vapour of

sodden plaster and spores of fungus

hung in the air for weeks along Cliff High Street.

Have you ever left cut flowers in a vase

too long ?   Lilies and orchids are the worst.

Their slimy stems.   You nearly choke

tipping the viscous liquid down the sink.

That river will never be trusted again—its low-tide smile

exposing wet grey gums.

 

For once, she’s letting me prepare the meal.

How easily this skin slides off, all in one piece

a puckered wet-suit, white and slippery.   Gaping legs

glisten like Clingfilm.   Then the shock of perfect, naked

yolks—four of them, graded down to an aniseed ball.

No albumen.   No shell.

 

This morning she grazed her wrist, fetching logs from the shed.

Hands strong as a man’s.   They could chop, saw, pummel

grip and stroke, thread needles, comb out tangles, conjure

shadow rabbits on the wall beside my bed.   Her skin

used to cover her.   I’ve never given it a thought.

That it might not last her out.

 

Years back—that pheasant.

Somebody’s car had clipped it onto the verge.

Orange, speckled with green and gold.   Neck

slack as old rope.   As she carried it home

beads dangled from its beak, one

by one and spattered on the road.

 

These days, you buy them plucked.   Take care

as you tug off stubs of quills.   That thin skin

tears so easily.   There, where blood has gathered under a bruise

there is almost no skin.

 

 

Christine Coleman

first published in Scintilla 9, 2005
ISBN 0953067483

 

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At Athens Airport

 

White has a different meaning

underground.   More so in that hollow time

before thin hours swell to daybreak.

If this mile-long corridor held stores of words

blank walls would be awash with abstracts—

detachment, dislocation, distance.

Single travellers seem to cast no shadow—

landing, they’ll brace themselves,

not against the jolt of wheels on tarmac,

but the delicate reintegration of self to self.

 

                              ******

A wall of plate-glass holds the heat at bay.

Light waves stream through, skid to a halt

on marble tiles.   The floor’s a lake, the way

it draws down smudged blue lines from strip-lights

and dark Aegean blue of check-in counters,

sky-blue monitors floating below them.

 

I’m trying to label blue I’ve left behind.

Shutters opening on white walls are easy

but sea defeats me—flash of kingfisher,

a peacock’s eye, can’t catch that shade between

taste of spearmint and smell of eucalyptus.

Blue fades so fast.   How will I keep it?

 

                              ******

Voices. Man and wife, an awkward wall

around their son.   Squat wheels skew out

under luggage.   In the marble lake

a creature stirs.   The boy treads ice,

hand on his father’s arm until bare calves

make contact with my bench.

Eyeballs swivel like a startled horse.

See nothing. The mother’s words

like fingers on his face, We won’t be long.

You sure you’ll be all right?

 

Does he know there’s someone beside him?

He’s fumbling a remembered blanket

rocking his body like a metronome. My hands

lie clammy on my lap, veins like blue worms.

The usual offering won’t help me now, the smile,

the nod, that gives me haven in eyes of strangers.

 

Blue’s just a name for certain waves of light.

 

 

Christine Coleman

in pamphlet Single Travellers ,  Flarestack, 2004
ISBN
1900397706

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Light Harvest

 

October is the time to harvest light,

on days when lingering strands of summer

drift into a sky that rings like glass,

honing the dulled edges of your sight

to gather all the shift and shimmer

of slanting sun on trees and tawny grass,

gilding the familiar with surprise.

 

This morning I escaped into a park

where light lay ripe and waiting for my eyes,

trapped on wet black mud splintering on dark

green spikes of holly into shards so bright

I’ll feast all winter on this hoard of light.

 

Christine Coleman

first published in Acumen, May 2000
in pamphlet
Single Travellers ,  Flarestack, 2004
ISBN
1900397706

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