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Sean Elliott (1965-2016)      about Sean      back to Sean's page

 

 

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Background Radio               More Soldiers

         Dead Stock           Saloons and Tomahawks

 

Background Radio

 

Ten years of sorrow, not conspicuous,

he worked, met girls, but then it seemed someone

had left a radio forever on

across the street, not noticed in the press

of talk or newfound love but always there.

At last the only thing he heard: a drone

that took his days, then her, then every prayer.

 

 

Sean Elliott

first published in The Reader, 27, 2007;

in collection, Waterhouse and the Tempest,

2009, Acumen, ISBN 978-1-8731612-2-7

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More Soldiers

 

The Thames still weaves its silver threads

beneath the throbbing helicopters;

they want more soldiers and the daughters

of Sunday idlers skip, it needs

 

a steady beat to dodge the rope,

it needs a steady heart to watch

the double-blades returning catch

the Greenwich sun.  My horoscope

 

predicts an easy week.  I fold

the paper over and so meet

our leader’s endless gaze.  It’s sweet

 

to watch the tour boats pass, to dip

among used books.  I am too old

to nurse this rage.  The children skip.

 

 

Sean Elliott

first published in Smiths Knoll, 38, 2006;

in collection, Waterhouse and the Tempest,

2009, Acumen, ISBN 978-1-8731612-2-7

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Dead Stock

 

The books that haven’t sold a copy in

one year become dead stock; we pry them out,

the shelves must work, these texts achieve a bin

 

or distant warehouse (something said about

‘tax purposes’).  We ease them from our lists,

just rarely stopping with a flare of doubt

 

beside a pile of Irish dramatists

or some biography that tells you how

an East End life was lived: ‘with joy, with fists,

 

with heart…’  Perhaps we’ll keep a few, we know

we shouldn’t but a flicker of affection

towards an author’s photograph will slow

 

us for a moment.  Hope invites reflection:

those eyes are desperate for enduring fame

or if not that at least due recognition.

 

We read the back: a blurb from some big name,

a stately font, a novel’s silly plot

or some philosopher’s almighty claim

 

to mend the world with thought.  We briskly jot

a number down, return to our last spot

and sift the nameless from the soon forgot.

 

 

Sean Elliott

first published in Iota, 82, 2008;

in collection, Waterhouse and the Tempest,

2009, Acumen, ISBN 978-1-8731612-2-7

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Saloons and Tomahawks

 

‘Tell me a story, Dad, a sci-fi one!’

and you, ‘There were these cowboys on the moon…’

Lover of westerns, Shane, Stagecoach, High Noon,

your bedtime stories finally came down

 

to saloons and tomahawks.  The fastest gun,

once eyeing neighbours with a deadly sneer,

you wished to rustle steers for your career:

‘There’s not much call for that in Edgware, son.’

 

Ten years rode by, your Star Trek-gazing child

baffled you: after work you’d sketch away:

stern Indians, bent cactus trees, the wild

 

horses and charcoaled ranchers, while the shame

of being poor bruised you.  Your hand would sway,

across the moon the whooping cowboys came.

 

 

Sean Elliott

first published in The Interpreter’s House, 33, 2006;

in collection, Waterhouse and the Tempest,

2009, Acumen, ISBN 978-1-8731612-2-7

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