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On Living in an Area of Manifest Greyness and Misery

A Beige Mini in the Sixties                        Ink                        The Day My Cat Spoke to Me

 

On Living in an Area of Manifest Greyness and Misery

London is a vast ocean in which survival is not certain.

Essex Road and the unluckily named Balls Pond Road are areas of manifest greyness and misery.

                              from London the Biography    by Peter Ackroyd

 

I sleep high on the bird's nest.

Trucks and lorries shake the house

and make the bricks tremble,

roaring tidal waves rock the bed

and put me to sleep.

There are odd wrecked Georgian houses

beached between tyre shops and takeaways,

Sometimes, people are murdered,

police sirens shriek up and down all day

like seagulls chasing sandwiches.

On the second floor,

we can look right into the 38

and see all the people

but we think they can’t see us.

And we can jump on the 38 ourselves,

sail on the top deck

down to Bloomsbury and Victoria.

Our walls are stuffed with horsehair,

on stormy nights, we hear them gallop.

Like us, they don't want to leave.

The ghost of a cat lives next door.

Young black drivers play hip-hop and dance hall,

when they stop its a five minute party

and you never know when it might happen.

The pink haired squatters dance topless

on the concrete roof when its hot.

John Ball's pond lies under our back gardens,

the shades of his cows low at full moon.

But it’s the roll of traffic

that makes it more a ocean

especially the sound of rushing wheels

when it rains,

and the uniformed Catholic children

slip along the wet pavement

like blue fish

swimming down the Balls Pond Road.

 

Martina Evans

in collection Can Dentists Be Trusted? ,  Anvil Press Poetry, 2004, ISBN No: 0 85646 376 0

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A Beige Mini in the Sixties

 

The smallness of it,

our bare knees poking out

of our corduroy paisley dresses

and the backs of our legs

glued to the warm seats.

 

The bottle of water for topping up the radiator

that always sat in the side pocket with a bottle of holy water

in the shape of a see-through Virgin Mary.

 

My brother putting the plastic Virgin to his lips

and drinking down great slugs before driving away

to an exam which he failed anyway.

 

The crash at the junction of Pine Street

and the fuss that was made of Fifi the dog

by the staff in Casualty

at the North Charitable Infirmary.

 

Waiting outside the Bank of Ireland while she made her lodgement,

dreading the moment we would have to walk up to strangers,

‘Excuse me, my mother’s just learned to drive,

could you turn our car and face it for home please?’

 

Shopping by the sea in Clonakilty,

navy   ‘wet look’ patent shoes for my mother,

red shoes with buckles for me.

 

Fifi hanging her hairy head out the window,

me hanging my boy’s haircut out of the window,

the sweet taste of the gulps of flying air.

 

My mother driving to Limerick

and getting up on the wrong part of the new road,

workmen running after us, shaking their fists.

 

My father’s face

when my mother put her foot on the accelerator

and told him he was at her mercy.

 

The cloud of gravel

when she drove out of the yard

and the gasps from the men looking out the window.

 

I can’t remember how the Mini died

only our disgust when she replaced it

with a black Morris Minor for fifty pounds.

 

She laughed at us and said she didn’t care,

she wasn’t ashamed of it,

she would collect us from the convent in it,

visit us more often in fact.

 

But in the end the Morris Minor refused to budge itself,

mocked her view from the kitchen window,

stuck to the stones of the rough ground

where the salesman had parked it.

 

Martina Evans

in collection Can Dentists Be Trusted? ,  Anvil Press Poetry, 2004, ISBN No: 0 85646 376 0

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Ink

 

Our copybook covers

were decorated with round towers,

swallows and old Irish letters,

I hoped every new one

would be the one

I would keep clean.

 

As clean as the milk white inkwells

that fitted into the holes

on top of our old fashioned desks

like upside down top hats.

 

The dark blue ink

swayed and swelled

inside the china white bowls

but never spilled

no matter how much commotion

there was.

 

And there was

a lot of commotion,

with boys being chased

round the desks by the Master,

getting kicked in the stomach

and locked into cupboards.

 

I was slapped so much

my fingers felt like

great foreign sausages bursting out

of their flimsy ink stained skins.

 

Being so bold

it was a surprise

to get the honour of filling the wells

from the great earthenware pot

that was the colour of Goldgrain biscuits.

 

But the pleasure of holding its sandy lip

to each gleaming white brim

was never realised.

I dropped the pot

before I got to the first one.

 

That inkpot’s been in this school

for over a hundred years, Miss Cotter

and it would take you to break it!

 

The Master was so astounded

he forgot to beat me,

just left me standing there

with the stain spreading round

my feet,

the fall of ink so heavy

the mark was still there

when I checked twenty years later.

 

Martina Evans

in collection Can Dentists Be Trusted? ,  Anvil Press Poetry, 2004, ISBN No: 0 85646 376 0

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The Day My Cat Spoke to Me

for Geraldine More O'Ferrell

 

I was surprised not so much by the fact

that she spoke

but by the high opinion she had of me.

‘I think you’re great.’ she said

and it was at this point I looked at her

in surprise.

‘I mean,’ she continued, ‘the way

you’ve managed to write anything at all!

Fourteen court hearings

and that horrible barrister,

the way she looked at you.’

But you weren’t there,’ I said.

‘Oh but I can imagine it,’ said Eileen,

her yellow eyes opening wide

before narrowing into benevolent slits.

‘I only had to look at you,

gulping down your red lentil soup

when you came home after nearly three

hours in the witness box defending

your right to write.

Did anyone ever hear the like?

I could see it all in every swallow you took,

her butty legs and her manly shoulders

in that black suit, did she have dandruff?

I hope not, because it really shows up on black.

Saying those things to you,

Oh Miss Cotter we would all like the luxury

of sitting at home writing books!

Holding up paper evidence between finger

and thumb Here is another job

you failed to get Miss Cotter.

Trying to make you go out to work

with radiation in a hospital

and who would take care of us?

What would the cats of this house

do without the sound of your pen scratching

on paper, the hum of your computer,

your lovely lap and the sound of you

on the telephone?

The big dyed blonde head of her!

And where did she think she was going?

Well, earning a lot of money for her own words

by the looks of things.

And saying them to you!

The best writer that ever heaved a can of Tuna

or opened a pack of Science Plan.

And as Mary Jenkins said about him

who paid for the horrible utterances.

Its just as well that Shakespeare wasn’t married to him

And then when he was in the witness box, he wished

you the best of luck with your writing....’

At this point Eileen paused, closed her eyes

I was waiting for her to say something witty herself.

After all it was a great opportunity for irony

which for some reason I have

always associated with cats.

But when she opened her eyes again

she requested a scoop of softened butter

after which she licked her lips in detail

and hasn’t opened her mouth since

if you don’t count yawning, lapping,

eating, washing miaowing,

and screeching at intruders.

 

Martina Evans

in collection Can Dentists Be Trusted?,  Anvil Press Poetry, 2004, ISBN No: 0 85646 376 0

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