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Lullaby With Globe Lamp     Notes on Silks from Africa

Today our main concern...                     Meeting Up at Fingal's Bridge

 

Lullaby With Globe Lamp

 

Sleep!  For I even love the darkness

around your sleep

easy, innocent of regret

 

and while you sleep a globe lamp

lights the dark

with the world’s continents, antipodes

 

the joke-animals, all-the-world’s-children

we read to you and you take them

into your sleep with you.

 

Sleep? We only wish we could!

Across the big brown hot-lands

in dust-stormed shanty towns

 

the children scavenge or fall sleep

in T-shirts, hand-me-downs

with logos the same as your ones;

 

those children, shadow-children

tiny, fly-blown doppelgängers

are the dark stars of this world.

 

Sleepless, I love the darkness

round your sleep. This world, seen from the moon

at least, is a blue-jewelled Eden.

 

 

Judy Gahagan
in collection, The Secret Frontiers, Enitharmon, 2008

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Notes On Silks From Africa

 

When one of them

appears in slow time

bringing a ceremonial

tall column of swathed silk

head crowned with matching silk

knotted to an ancient rule

to leave two silk wings

of  green-gold shimmer

 

I think of silk

from the tamarind tree

of another time when

400 camel-loads a year

brought unwrought silk

from Ghadamis to Kano.

 

They pass on

like royal barges

down a narrow stream.

The complex floating strands

weft-float patterns

remnants of structures

that crisscrossed deserts

the great brocades, the small brocades.

 

We create a little space

as they pass on

as if this ordinary moment

at the bus stop

were a moment of investiture

of these bearers of silk

incognito.

 

 

Judy Gahagan
in collection, The Secret Frontiers, Enitharmon, 2008

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Today our main concern...

 

Today I would have talked about amygdala,

almond-shaped clusters of inter-connected structures

perched above the brain stem -

 

but today was ominous:

inner and outer weather mingled around the campus

in a tide of cobalt clouds.

 

Amygdala, little almond,

I would have told them it was you who runs these loops

of low-grade melodrama

 

but a gull was crying

above the concrete temple of the Arts Block

as if it had forgotten the sea.

 

I would have taken them through the limbic system

and the ancestral environments of our feelings,

explained the neural hi-jackings

 

but feared I might be mad myself,

sing turmoil at them,

sing the syrupy vernacular of the heart

 

and they’d be waiting

faceless, rising tier on tier like placid saints,

the dispassionate white screen waiting

 

to be scrawled with the graffiti of frets and angst,

the pa system sense the drowning hollows

of my voice and boom uncertainty.

 

Today our main concern…our main concern will be

the cohorts of our intimate enemies,

the toxic thoughts, the case of love…

 

 

Judy Gahagan
First Prize - Peterloo Poetry Competition, 2000
published in Ambit, 2001
in collection, Night Calling, Enitharmon, 2003

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Meeting Up at Fingal's Bridge

 

September light is saturated

with unvoiced thanks

 

someone must have thought a time of gifts

still hovered in subsiding gold

 

for the drifted leaves that fill the church

as if it were roofless,

 

bereft like us, have been put there;

someone’s made an easy-viewing frieze

 

of easy things to love:

autumn leaves and ornamental gourds

 

the greening- red hydrangea,

darkest crimson of chrysanthemum

 

draped the pews with hops

and very old man’s beard.

 

The photos in the vestry

are scenes anyone would choose:

 

mist and frost in empty lanes

the trees in all their moods

 

pale moony mornings

before long days of absence

 

for nobody really lives here now

or anywhere, we’re visitors to everything.

 

Yet it was an un-scrutinised affection

for all  things lost,

 

nothing conceptual, no cutting edge,

the tender loving care

 

of all critique suspended

for a time of gifts to glimmer

 

in elegiac September light.

 

 

Judy Gahagan
in collection, The Secret Frontiers, Enitharmon, 2008

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