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Arusha               Saying Goodbye

         At my mother's funeral           Ghost in the Machine

Arusha

 

The market not so far

even with a belly aching

it not so far. Some days

the water heavy, but that is so.

Soon I bring back cotton

from the market near Arusha

for the child my daughter

carry in her belly.

Carrying a child not so hard

as carrying the water.

Soon her waters break.

If it a girl, I teach her

how to carry, then

where to sell the water.

When I old bones

too old to carry

my daughters with strong backs

will carry to the market,

to the market near Arusha.

 

Jo Roach

previously published in Poetry London
and Pen International

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Saying Goodbye

 

 

On the doorstep, with

an armful of milk bottles,

rinsed clean for the morning,  

I see the doctor out: Dr Dalton

who wears a suit that doesn’t fit,

the black frames of his glasses

hide his eyes, he’s not a handsome man.

I ask  “ When is she going to get better? ”

He doesn’t lie and I thank him,

still holding the bottles.

 

Jo Roach

previously published in Entering the Tapestry
and Dancing at the Crossroads

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At my mother's funeral

 

 

I watch my father for signs, as if

checking for the rash of a disease,

but his suit is buttoned-black,

the careful knot in his tie, you could see

a face in his shoes . We drink whisky

out of glasses too good to use and eat

thin slices of ham on-the-bone in our front room

with her sister Rosie who’s the spit .

Out come the photos, the holiday at Butlins,

my mother in a halter-neck and pencil skirt

shoulders bare, hair blown back .

Then I see too much of him wanting

her to walk in and say Put the glasses away

we’re saving them for best.

 

 

Jo Roach

previously published in The Company of Poets,
The Redbrick Review, USA
Staple

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Ghost in the Machine

 

 

Jack Davis in overalls, wearing a cap

after his day job as a brickie, repairs

secondhand bikes, to earn extra

to pay the mortgage on the house he painted

green, white and yellow, at the time of ads

in corner shops, ‘Rooms to let, no blacks no irish’.

In the box room of number sixteen, spare wheels

hang from six inch nails, the floor a shingle

of nuts and bolts, the smell of three-in-one oil

heavy as khaki. Hands fretted from wire wool

he polishes aluminium rims to silver, removes

links from the chain until it fits. His memory

full of the sea, fine tunes into each wave

as if it were the one that broke when he left

a country where there are no words for yes and no.

Sue-Sue Lambert shopping in Dunlaoghaire

meets one of the Davises and asks,

“ Is Jack not after coming home? ”

 

 

Jo Roach

previously published in Poetry Wales
and Dancing at the Crossroads

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