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Strawberries               Keeping Time

         Crane Beach           Problem Page

 

Strawberries

 

After school

mother had strawberries for us

on the balcony

and cream in a china jug.

 

When I smelt the fruit in my spoon

I wanted no cream

and saw her against a blue sky

(she wore a white dress and no makeup),

I didn't want to grow up.

 

But I did,

and worked in a bookshop

with a girl who was subtle

and knowing, and talked about

dreams of strawberries

on the analyst's couch.

 

My mother had a couch

on which patients would lie,

remembering strawberries

with star-shaped green collars,

pips on their skins

and tender insides.

 

It was an expensive couch

with a blue cover and studs;

every patient had a clean case

for the pillow.

She sometimes rested there herself.

 

Beata Duncan

previously published in The Rialto

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Keeping Time

 

For days I couldn't find

the watch you gave me,

small certainty on my left wrist.

I looked in the usual places,

fingered the empty box

and read the guarantee for consolation.

 

Searching, I came upon

a pocket watch of solid gold,

a hand-down from an ancestor

kept in a cotton sock.

An eighth or a sixteenth of me,

he wore it ticking near his heart.

 

The winding button turned and made a grating noise,

the ornate arrows didn't budge.

I slipped it back into

the darkness of the drawer,

where it will say forever four to six.

 

'You've your watch?' you ask

when I steal a glance at yours.

'Of course!'  I am resolved

to buy a replica,

'just giving it a rest.'

 

Changing the sheets,

I find it lying in a fold

face upwards, shining,

strap curved to the shape of my wrist.

 

Beata Duncan

previously published in The Observer,

requested for broadcast, BBC Radio 4 Poetry Please

in collection Apple Harvest, 2000, Hearing Eye,

ISBN 1-870841-72-7

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Crane Beach

 

After the service

we drove to the coast,

empty except for birds

and trees turning red.

You wanted to go back to the ocean

where we all come from.

 

Anna, your eldest,

carried the cardboard box,

she tipped and shook it

and in the end held it upside down.

Always quick to swim out to sea,

you lay in shallow water

 

like a mass of grey oats.

I wanted to know

where your lashes were,

the long lashes I used to envy...

We covered you with lobelia

from the rockwall you built

 

and pink gladioli with purple throats;

you would have thought the satin bows

a waste of money.

I bent down to touch you

and felt grit like crushed shells.

We could have taken a handful each

 

according to how much we loved you

or according to your will,

but stood without speaking

in the fading light.

Anna's small twins were shuffling sand

into the empty box.

 

We left in the darkness by a full moon.

I wondered if the tide

would sweep you out

or you'd stay on the beach

for strangers to tread on,

and when I'd see you again.

 

Beata Duncan

previously published in London Magazine,

in anthology The Company of Poets, Hearing Eye, 2003

ISBN 1-870841-89-1

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Problem Page

 

It is not the custom in this country

to ask for doggy bags at parties.

But you can help take dishes out

and sneak goodies into bag

or inner pocket.

 

Virginia Woolf is not a penname,

the writer married a Woolf.

I'm afraid a pseudonym is unlikely

to stop boy friend or sister

seeing themselves in your novel.

 

What a shame Prince Albert melted

on the Christmas Tree

and great grandma cried!

Model him in marzipan next time,

it will not harm her gums.

 

Well done!  You have completed

a Dutch landscape puzzle

the Queen found difficult.

Why not write to a lady-in-waiting

and offer to assist her Majesty

to fit the missing bits?

 

He says you have nothing in common,

keeps to his side of the bed,

never wears his knitted slippers.

 

A white mouse hanging from a pierced ear

by a silver thread

can be wonderfully diverting.

But take the rodent off at bedtime

and hang a picture of your neck

in the mouse house, to make it feel secure.

 

You may write to me whenever you like.

 

Beata Duncan

published in earlier versions in

The Rialto, London Magazine,

and in anthology In the Company of Poets,  2003
ISBN 1-870841 89 1

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