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Marco Polo               How Everything Is

         Halfway to Eternity           We Tried to Tell You

 

Marco Polo

 

I was talking to Marco Polo.

 

He said

Yes, OK,

he went over the top a bit

in the book

to push up the sales.

 

But it was mostly true.

 

The years on the road.

Turkey, Armenia, Persia, Afghanistan, …

 

Disease,

and a year to recuperate

in Badakhshan.

 

Bandits,

sandstorms and spirit voices

in the Gobi.

 

The Pamirs were the worst

he said,

with the bloody horses dying

below the high passes

where your bones froze.

 

You know

I said

I was in China yesterday.

(True enough.

We hit Terminal 3

at 7.20 this morning.)

 

I had expected disbelief,

but he understood pretty well

what we can do.

 

I had not expected pity.

 

Michael Swan

published in Smiths Knoll, No 40

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How Everything Is

 

Perhaps this is how everything is.

The scree steepens into rockface;

you work your way up ten or twelve pitches,

each worse than the one before,

the last a brutal overhang

with few holds, and those not good;

somehow, pushing your limits,

you struggle through to the top

with your arms on fire,

to find a car park, toilets and a café.

 

Michael Swan

published in The Rialto, No. 62

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Halfway to Eternity

 

In a good hotel, on his fortieth birthday,

he nurses a hangover and sips his coffee.

 

Five hours' walk above the valley

there are gentians and saxifrage, and a stream falling.

 

He brushes his teeth, collects his papers

and takes a cab to the first meeting.

 

Below the pass, snow finches

flash and whirl across the scree.

 

Half the board are ready to sign

but he can't convince the fund managers.

 

Chamois move up into the cirque,

reach the ridge and disappear.

 

He takes a break and inspects the plant,

puffing his way round the shop floor.

 

Above the moraine, four elements:

snow, sun, rock and ice.

 

The accountants are evasive. He has lunch

with a woman from marketing; nearly calls his wife.

 

A snow slope leads up to a cornice.

Some tricky scrambling, then out at the top.

 

Afternoon fades into evening drizzle.

They finish haggling. He phones London.

 

Another hour fighting the wind;

one last crevasse, and the summit rocks.

 

Back in a cab past the bus queues.

A bath; then dinner with a good bottle.

 

Here, now, is the top of the world,

the sky vast, halfway to eternity.

 

He falls asleep watching a film

about three lesbians, on his fortieth birthday.

 

Michael Swan

in collection When They Come For You, 2003

The Frogmore Press, ISBN 0 9531383 6 4

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We Tried to Tell You

 

In a shabby pub

down a back street

late one evening

I found my old maths master

sitting at a corner table

crying.

 

Not a pretty sight,

an old maths teacher

weeping into his beer.

 

‘Let me tell you this,’

he said.

‘It does not add up.

It does not fucking add up.

 

Two plus two

is a random number.

 

The angles of a triangle

make 37 degrees,

or 460, or minus 11,

or nothing you can determine.

Circles bulge.

Squares don’t have enough corners.

Parallel lines

all meet

or do not exist

or go where they bloody feel like.

The x axis

does not come on the same page

as the y axis.

 

There is no geometry

that fits our space.

 

You get on the number 4 bus for the station

and when you arrive

it is flight 968 to Istanbul

diverted to Manchester

and you have to walk back.

 

Time leaks out of the clock

and scampers off sideways.

 

One woman

is three women

or no woman,

not necessarily

in that order.

 

You bastards knew all that

didn’t you?

You knew it all along,’

he said,

knocking over his beer.

 

‘We tried to tell you,’

I said.

‘We tried to tell you.’

 

Michael Swan

in collection When They Come For You, 2003

The Frogmore Press, ISBN 0 9531383 6 4

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