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Avalon               Safe Harbour

         Another Life           Nothing

 

Avalon

 

This is where you get on.

Step over the breakers

and you’re on your way.

 

How far? Last week’s couple

did it in a morning

before they disappeared.

 

When I say “disappeared”

don’t get me wrong.

We lost sight, that’s all.

 

I expect they made it

as they didn’t come back

and no flares were seen.

 

No, we don’t use ropes.

It’s too much to carry

and they tangle in the tides.

 

You’ve got plenty of water

there’s food in the packs

and, of course, the flares.

 

Would you do me a favour?

If, when you get there

send us a signal. A sign.

 

Something to let us know.

Thanks. Right then, off you go

keep straight and you’ll be fine.

 

That’s it. Follow the track.

Can you make it out?

Aim for the centre of the light.

 

 

Michael Curtis

published in collection In the Affirmative, 2008,

Redbeck Press, ISBN 978-1-904338-40-6

 

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Safe Harbour

 

                1               

 

She learned it early, that smile,

used the world over

to placate and to persuade.

 

She exercised it each morning,

quietened her children,

schooled her husband to good behaviour,

 

sent it before her each evening

into a room of laughing men,

taught it to earn tips at the bar,

 

let it spread from her mouth

to raised cheeks and tightened jaw,

coloured her talk with whites and reds,

 

employed it carelessly,

allowed it to play with a strand of hair,

look twice at the stranger at the corner table,

 

until insatiable nights

wiped it from her perfected face

and stole it from her eyes

 

 

                    2                   

 

So tonight

all the light

is robbed from her eyes

 

and the smile

once found with ease

when lighting our candle

 

takes ten seconds to compose

as she walks to our table

from the back room.

 

Her long peppered summer

has fetched up in August

weary as winter,  

 

and now she must keep on walking

through an unbreakable dream

that brings no escaping

 

 

                          3     

 

Like the dream

you’ve forgotten by morning

but doesn’t forget you,

your son dead, your father dying again,

the nightmare

that lies heavy behind eyes

that cloud for hours despite sunshine,

lamplight or even awakened love,

so the voice on the phone that evening

cannot be believed, the postcard

from the island beach in Thailand,

date smudged, must have been censored,

the e-mail confirming her arrival

forged, and the only thing

that can burn off the doubt

is another half-remembered dream,

unwilled, involuntary, but this time light

 

 

                4

 

As the weightless catamaran

that straddles the countless fires

extinguishing and lighting the warm sea

 

on a risen morning

resolved to dazzle eyes

and burn off all effects of clouds

 

while the brief wakes of yachts

break cover to take their chance

and slake untethered restlessness

 

unsheeted at the exhausted wind

muffled engines screwing to the sun

as crews float between lives

 

 

                5

 

Like us upon the salt of life,

swimming on the writhing sea

bathing in the showered sun

hugging shade beneath the pines,

 

purged of form, reduced to line

so recognition sheds disguise,

and sparrows peck at sparrow dunes

and sand flies fly across the sand,

 

and we follow the directions

concealed from the border guards

who only mistake them for maps

painted on glass quicksilvered by death,

 

and here we’ll find our way

while pedalos pedal families of five

lilos lie low in the afternoon

and the day glows in dayglows,

 

navigate a route through clouds

and imagine ourselves to light

until we settle to the smiles

that trade in nothing but themselves.

 

 

Michael Curtis

published in collection Weeks, 2007,

Urban Fox Press, ISBN 1-905522-21-5

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Another Life

                                    [Acropolis, Mycenae, Greece]

 

You were here, she says,

in another life:

worshipped perpendicular ghosts,

declaimed blood

to an amphitheatre of poppies.

 

Perhaps. I stand watch

in April sunlight,

examine the mountains

for signs of life, small prey,

friend or foe stepping stones:

 

settle to this body,

my face beaten in gold,

my father on an upright slab.

I take a breath and stretch,

enter the beehive tomb:

 

the floor sinks and springs

on the vast hidden skin

that tenses under Mycenae.

My spirit sags, then rises,

then somersaults into another life.

 

 

Michael Curtis

published (with French translation) on the

Namur Maison de la Poesie website, 2006

and in collection Long Haul, 2005,

Redbeck Press, ISBN 1-904338-26-7

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Nothing

 

Nothing in sight can help

despite the miles of white wheat

that reach to the grey meeting point

of endless earth and sky that

 

nothing interrupts, no hand-hold,

hand outstretched, arm offered

to lift her from him less

than a body length away,

 

feet planted hard apart

on the furrowed soil, rifle parallel

to the sharpened horizon

as she turns her back, cradles

 

her daughter’s back, doubles

up in thin protection, unable

to hide in the great emptiness

that exposes them, bent

 

under the cupola of sky, dwarfed

by its cold metallic cathedral

of nothingness, no candle in

the eastern wind that chills

 

them both and him and the invisible

photographer, bent on one knee,

one eye shut, the other lensed

objective as his finger finds the button.

 

 

Michael Curtis

published (with French translation) in Journal des Poetes, 2006, Liege

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