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On night's estate               Tortoise

         Eating out           A boy's errand

 

On night's estate

 

The longer that I stare, the blacked-out

expanses grow more hard to look into—

unlike the United States, unsheathing

its gleaming Floridan sword,

its rash of yellow citidots.

The earth is on fire

south of the Great Lakes’ blue pools,

grows more black, but not empty,

out through standing

mid-west corn, block on starry block,

swept to the Pacific’s violet edge.

 

There, shy Australia lies on display.

A single lemon necklace,

loose from Brisbane to Adelaide.

The monumental Asiatic blacks,

their spilt drops of gold

spattering Europe, where it grows

lighter from east to west.

The cobra-squirm of the Nile

is a slithering focus to a blazing delta.

 

We are those who show ourselves

most clearly when we sleep.

We become like children,

sprawled, unconscious and equal

to the next lamplight.

The world in numerable parts.

Our dreams, a ferocious inequality,

as no-one lives in the Icelandic

inky black, the soot-back of Canada,

the Arctic, ebony of Antarctica,

the emptied Amazon basin,

the Russian steppes, Himalayan pitch.

 

Whatever life goes on there,

it keeps such a quiet light.

A few red sores of flaming oil-fields.

The indigo of burning forest

in the bulb of Brazil.

And across central Africa,

fat Africa is the body of dark

I hear cry out the kind of catastrophe

it will take to revive the night’s wrap.

Let darkness fall as it now appears:

beneath the close of twelve billion lids,

the monster is asleep and dreams of stars.

 

Martyn Crucefix

in collection An English Nazareth, 2004,

Enitharmon Press.  ISBN 1-900564-14-9 

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Tortoise

 

Drop-jawed and pink-tongued

  with what appears pleasure,

though it’s unlikely. Long drawn

  love of a shell’s chill desire.

Scaly touch. His gasping breath

  and her earthbound silence.

 

What if every tide was drawn

  drily barking one to another?

Claws, tendrils in cold oceans

  get a purchase on pleasures

lying buried in prehistory.

  What if two stones can be tender?

 

Martyn Crucefix

in collection An English Nazareth, 2004,

Enitharmon Press.  ISBN 1-900564-14-9 

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Eating out

 

So little evidence left

of hours in which the sun set

and turned up the volume

on the sienna of the hillside,

as we sat in the garden

and saw unleashed,

the deeper blues of sky

and strewn the white of stars

that rose to us irreversibly,

while we too lit candles

and settled about the tabletop.

We ate, drank and watched,

in the absence of gods,

benign, as the world shrugged

and sank away on all sides,

pared to the flick of a bat’s

black glove in the eaves.

Then the whole earth had

shrunk to the table and we,

some immured museum,

marble séance, our great feet

sunk in darkness and grass,

accorded the simplicity

of head and torso alone,

our poorly lit busts beside

human remains of a meal:

a circuit of illumination

that later unwound,

paraded to the back door,

a triumph of unsteady light,

of iron and plate and glass,

the little shadows we know.

 

Martyn Crucefix

in collection An English Nazareth, 2004,

Enitharmon Press.  ISBN 1-900564-14-9

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A boy's errand

 

I go to Spar and Mr Adams

who drops his small hands

beneath the counter

where it's already wrapped

in white tissue paper.

Crisp, soft and undisturbed,

I carry it close to my chest,

the length of my forearm,

palm flat to one end.

It’s like something asleep.

It seems crisper today—

the pressure of my fingers

telling the birth-smell

of heat, yeast, risen air.

The confining tin

held sides to softness

and the crusty burst,

split down the length,

sharp-edged and breakable,

caramelly across my tongue.

And each bite a glimpse—

one leading to the next

till I'm nuzzling in,

jaggedness on my cheeks

being bitten, biting deep

through crust to white flesh

as if there were a heart

unconsumed somewhere

I might lay my hands on

bring back to the house.

 

Martyn Crucefix

in collection An English Nazareth, 2004,

Enitharmon Press.  ISBN 1-900564-14-9

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