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Definitely Human               The Fearful Milliner

         Piazza Marina           A Moment of Attention

 

Definitely Human

Kouros, Flerio, Naxos.

 

I expected him to be

pushed aside beneath a wall

out of the farmer’s way

but he was abandoned

head down on a slope

half over on his side

looking stunned,

not my fault

I only had the one,

definitely human.

 

Before he was complete

he left his home

on the mountain, ruled

by eagles and the wind,

to cross the ocean

and reach the city,

where he would be

adored, caressed,

become a man

full grown, definitely human.

 

But he slipped

out of line

and cracked.

I can’t explain

how I arrived here

from where I began

any more than he can.

Imperfect, broken,

young, definitely human.

 

No one could

heal his face

frozen in a blind

stone sleep.

Slumped, feet up

for the millennia to come,

thoughtless as a rock,

warm to touch in the sun,

definitely human.

 

 

Chris Hardy

in The Journal / Forward Anthology 2009

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The Fearful Milliner

 

Lilian Sharpe

married Ernest Thicke.

Don’t name a child

until it’s one

she said.

 

Lilian Thicke

made hats for all

who could write a name

on a cheque.

 

When I was a boy

at school

I wrote my name

in my cap.

 

When I left

I threw the cap

out of the train

window.

 

Someone walking

in a lane

might have found it

and said

 

two words

under their breath

to themselves

and the trees,

 

much like a mother

whispering to her baby

in the wordless dark,

before dawn

names everything.

 

 

Chris Hardy

runner up, Frogmore Poetry Competition, 2009 and

published in The Frogmore Papers, Autumn 09 issue

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Piazza Marina

 

I took your picture

several times

standing before

the fountain veiled

by fern-like

dropping threads

of water.

I tried again,

you by the harbour

and the church,

St. Mary of the Chain,

framed by steps,

columns,

water, walls

and boats

shivering on the sea.

 

My father took

a picture of me

where slaves had once

been sold.

The film came back

but only trees

and the auction block

remained.

We fly like birds

from frame to frame,

I tried to catch you

so you would

abide like

water, walls,

islands, trees

and chains.

 

 

Chris Hardy

in collection A Moment of Attention,  Aug 2008,

Original Plus;

prev published in Brittle Star, 2007

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A Moment of Attention

 

The barn built from boards nailed

to a frame, like a boat.

The purlins

slotted into the end walls of the house

still firm but the planks split, slipped.

On an August afternoon

the still air inside is cool,

warm fans of light spread out

in silence, hung with dust.

The swallows which live in the rafters

shoot out of the open doors

to dive-bomb our black cat

crouching and ducking

on the porch roof.

 

A woman lived in the house alone

fetching water from the spring.

She stayed indoors and grew fat

in the firelight, her face burning

her back cold.

I cleared a rats’ nest

from beneath the stairs,

it took a day to smash her bed

and drag it out,

a trail of wax inches thick led

from the bed-side down to the grate.

In the dump outside we found

broken crocks, a spoon and big, green

oval Gilbey’s empties.

 

After a hot day the roof cracks

like gunshot.

In the barn, feathery, patched

broken, so light

that it might blow away

it’s easy to know

that there is only now

that life is short

a moment of attention

and be full of life

and want to live

until you’ve had enough. This

is the easiest thing

to forget.

 

 

Chris Hardy

in collection A Moment of Attention, Aug 2008,

Original Plus;

prev published in Obsessed With Pipework, 2001

 

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