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Seeing Orange               Beatrice Harrison Plays her Cello to the Nightingale

         Heroes           The Love-Token

 

Seeing Orange

 

To my mother this pungent steam

signalled a seasonal chore,

but I, like Marie Antoinette,

am playing countrywoman

and January is marmalade month.

 

I am a billionaire of time

and silence. Shall I choose, today,

to sing, draw, gaze at the unwearying

beauty of the view? Shall I feel moved

to iron a sheet, paint a wall, scrub a floor?

 

My fingers are sticky, stiff, swollen with cutting.

It’s back to basics, doing it the hard way,

the Zen of preserving—I become one with fruit,

knife, wooden spoon, the heavy pan

her mother gave to mine.

 

Whispery sugar shifts

in sparkling dunes and dies like snow

into the seething cauldron.

Windows mist and seal me

in sweetness with a bitter edge.

 

Thick gush into glass.

The molten-metal stream

clots, taking its time, and cools to stasis.

Ranked jars stand glowing

in fluorescent light.

 

Amber with its suspended life:

fibres of fruit, small-pored

vermilion slivers,

colours of copper, gold,

daffodil, sunrise, fire.

 

Chris Considine

in collection Learning to Look,  2003
Peterloo Poets, ISBN
1904324053

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Beatrice Harrison Plays her Cello to the Nightingale

 

Surrey. A garden, black and aromatic.

Woman and cello on the lawn

and somewhere an invisible bird.

 

We are all born for death, including

Beatrice and the nightingale.

Only the music aims at immortality:

 

the programmed throat endlessly reproduced,

the antique instrument, the record

updated with each new technology.

 

The cello hums its undersong

to the solo bird, whose voice is surprisingly loud -

a choirboy's effortless unvibrated treble.

 

With shut eyes she listens to herself

accompanying the legendary singer

that seems to fit its notes to hers

 

in a coincidence of languages. In truth,

like us, it speaks its own vocabulary of need

to its own kind.

 

Chris Considine

in collection Quarll,  2006
Peterloo Poets, ISBN
1904324274

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Heroes

 

In the pissing contest, Jack won.

Ann and the girls, secretly shocked,

kept their faces expressionless.

That hot summer Jack went along

Duck Lane with a box of matches.

Jim followed, beating hedge-fires out.

Ann wondered: What if? Didn’t God

speak from an orange blazing bush?

 

Hotter, hotter the desert. Air

like transparent flame and embers

underfoot. No God there with Jim

crisped in the furnace of his tank.

Jack soldiered on to Sicily,

Italy, back home, a hero.

 

Remembrance Sunday— cold brilliance.

Jack, always chilly, is swaddled,

poppy pinned on his woolly hat

like a head-wound over blank eyes.

He has forgotten how to speak.

And what things does he remember?

Ann pushes the wheelchair grimly

along the uneven tarmac.

 

Chris Considine

in collection Quarll,  2006
Peterloo Poets, ISBN
1904324274

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The Love-Token

 

Tight as asparagus or exotic grain

the budded stems parcelled in darkness.

A long way from the hedged fields

of home, the sieved sea-wind.

 

Oh, these have a raging thirst

after their journey. White or yellow

petals thin as skin unfold,

turn to six-pointed stars so small

 

you can’t imagine them dancing.

Even in their native breeze

they would only shiver. Breath

of spring, fugitive scent of honey,

 

vanilla, sap, in a minor key.

But the centrally heated stillness

will crisp them. Tomorrow’s sun

will light a host of little dead faces.

 

Chris Considine

in collection Quarll,  2006
Peterloo Poets, ISBN
1904324274

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